Theatre & Dance ETDs

Theatre & Dance ETDs

 

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Dissertations

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CUL-DE-SAC: SOCIAL CONVERSATION THROUGH RESEARCH AND PERFORMANCE, Peter J. Bennett

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Choreographer as Coach: Facilitating Engagement During the Dance Making Process, Emily D. Bryan

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TEACHING CHOREOGRAPHY IN A UNIVERSITY SETTING: EXPERIENCING COLLABORATION THROUGH DRAMATURGICAL THINKING, Ariel Burge

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Everymans Argot, Kamarie Chapman

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Writing the Warrior: A Latina Writes Latinas, Patricia S. Crespin

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The Hyphenated Playwright: A Speculation on Opportunities for an Emerging MFA, Terry Davis

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Theatre/Games: The Poetics, Ludology & Narrative in Video Game and Dramatic Structure, Matt Diel

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FLAMENCO PURO: PURSUING TRUTH IN FLAMENCO AND LOOKING AT MY WORK IN REGARD TO FLAMENCO HISTORY, Marisol Encinias

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Fadeaway, Leslie Eskeets

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Identifying Comedy: The Linguistic Properties of Humor, Aaron Frale

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The Entertaining Art of Dance Engagement, Crystal Jolene Fullmer

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La Nueva Escuela De La Danza Flamenca: Postmodern Shifts in Flamenco Dance, Illeana Gomez

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The Female Writer and Her Female Characters: A Coming of Age Story, Stephanie N. Grilo

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Re-Contextualizing the Patriarch: Understanding Fathers and Sons, Kevin J. Hathaway

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The Invasive Kind, Christina Hjelm

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IN A "WE CAN'T" THEATER CULTURE, MY PLAYWRITING REALITY: A SELF-REFLECTIVE ANALYSIS, Margaret Iha

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A New Vision of Korean Dance Through a Comparative Study of Korean Dance and Modern Dance History, Sun-Ah Kim Lee

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Creating Theatre: The Search for a Voice, Barney Lopez

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Listen, then Speak: Foregrounding Womens Spaces, Stories, and Relationships in Dramatic Writing, Irene Loy

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The New Shakespearean Stage: Minimalist Theatre and Spectacle Through Text, Andrew R. Morrison

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Dramatis Pupae: The Special Agency of Puppet Performances, Casey Mráz

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In the Open Air: Rediscovering Self and the Environment through Site-Specific Dance and Alternative Teaching Methods, Lisa Marie Nevada

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Movement as the Driving Force: Empowering Live Dance Performance Through the Integration of Film, Kelsey Victoria Mary Paschich

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The Dilemma of Dezra: An Adolescent Manifesto in Five Parts, Erin Phillips

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Midnites Child: A Multidisciplinary Methodology for Staging Stories of Forgotten People, Riti Sachdeva

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Dialogue Without A Cause?: The Use of Banter as a Dramatic Device, Nic Wehrwein

Theses

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Cinema Dance: The Development of an art form as defined by Busby Berkeley's work with the Hollywood musical during the Great Depression, Carol Bender

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I am a Mormon: Media, Ambivalence, and Identity in the Mormon Culture, Katherine Dahl Bergsten

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Convergencias: Critical View Of Traditional And Contemporary Flamenco, Jeanne d'Arc Casas

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What a Bitch: The Complexities of Gender in Playwriting, Lawrence Chavez

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Fear and Joy in the Dance of Death: Re-Interpreting the 14th Century Plague's Artistic Genre, Mary Cianflone

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Flamenco and Its Gitanos An Investigation of the Paradox of Andalusia: History, Politics and Dance Art, Rosamaria Cisneros-Kostic

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Disposable Boys: Emotional Location as Applied to the Experience of a Contemporary Theatrical Audience, Kevin R. Elder

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The Real and Represented Ophelia: An Investigation of Choreographing Women's Madness in Concert Dance, Jacqueline M. Garcia

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Fascism, Flamenco, and Ballet Español: Nacionalflamenquismo, Theresa Goldbach

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Playwright as Enchanter: A Compositional Method in Dramatic Writing, Georgina Hernandez Escobar

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REMEMBER THE LADIES: EXPLORING FEMININE ARCHETYPES IN THREE PLAYS, Pamela Denise Hinson

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Literature in Motion: Mary Anthony's use of Shakespearean and Biblical Themes in Modern Dance, Gwendolyn Lee Jensen

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Identidad and Mejicanidad: Dance Transference through Mexican Folklórico, Azteca, and Flamenco Dance, Erica Ocegueda

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Dancing Along the Tightrope of Leisure: Puritans and Dance in Seventeenth-Century Massachusetts, Rachel A. Packard

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Chatterbox, Rebecca Sanchez

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Noisy Feet: The Forgotten Click of American Toe-Tap, 1925 — 1935, Sarah Helen Williams