Theatre & Dance ETDs
Publication Date
Spring 4-7-2021
Abstract
This essay accompanies my Master of Fine Arts thesis project, a dance film entitled Haunted (premiered online March 12, 2021; made in collaboration with Jenny Serrano as Director of Photography), that employs themes and aesthetics from film noir to an exploration of the stereotype of the sensual female flamenco dancer. By combining concepts from dance studies with feminist and postcolonial theories, I trace the legacy of the bailaora (female flamenco dancer) presented as sexualized, Orientalized Other from the nineteenth century to the present day. An overview of film noir and neo-noir bolsters a thorough description and analysis of select scenes from Haunted. Disrupting notions of flamenco dance and fracturing outdated representations of femininity, this work carries on the legacy of flamenco as act of protest to explore the values of flamenco performance in the United States beyond the aesthetic and contributes to my personal search for expression within the form.
Degree Name
Dance
Level of Degree
Masters
Department Name
Theatre & Dance
First Committee Member (Chair)
Brianna Figueroa
Second Committee Member
Angela Beauchamp
Third Committee Member
Eva Encinias-Sandoval
Fourth Committee Member
Marisol Encinias
Fifth Committee Member
Donna Jewell
Sixth Committee Member
James Stone
Keywords
flamenco, flamenca, dance, film noir, haunted, stereotype, bailaora, femme fatale
Document Type
Dissertation
Recommended Citation
Schofield, Amy. "Unfreezing the Flamenca: The Stereotype of the Sensual Bailaora Through the Lens of Hollywood Film Noir." (2021). https://digitalrepository.unm.edu/thea_etds/58