Spanish and Portuguese ETDs
Publication Date
7-11-2013
Abstract
This study examines the humor employed by the stock comic figure, known as the gracioso, in the plays of Francisco de Rojas Zorrilla, a major playwright of Early Modern Spanish Theater. The self-mocking nature of the humor employed by that theaters indispensable gracioso, with its subsequent prioritization of laughter, ties the comic figure to the then surviving medieval tradition of the popular carnivalesque. This tie lends the popular stock comic figure's humorous output an overall popular/carnivalesque identity that gives expression to a popular sub-culture. As a representative of the popular sub-culture, the stock comic figure's comical contribution, the laughter it produces, may be seen as a manner of confronting the hegemonic establishment and the societal values identified with the dominant echelons of society.
Degree Name
Spanish & Portuguese (PhD)
Level of Degree
Doctoral
Department Name
Spanish and Portuguese
First Committee Member (Chair)
Rivera, Susana
Second Committee Member
Cardenas, Anthony
Third Committee Member
Colahan, Clark
Language
English
Keywords
gracioso, Early Modern Spanish Theater, Siglo de Oro Theater, Carnivalesque humor, laughter
Document Type
Dissertation
Recommended Citation
Conklin, Maria. "The Gracioso in the Theater of Francisco de Rojas Zorrilla: A Manifestation of Carnivalesque Humor in Siglo de Oro Theater.." (2013). https://digitalrepository.unm.edu/span_etds/12