Music ETDs
Publication Date
Summer 7-15-2022
Abstract
How can contour theory be used to analyze a composer’s setting of a poem? Can this approach provide insights that lead to an interpretation of the composer’s setting of the text? This study presents a new contour theory on text setting by examining two different settings of the same text. This theory examines one aspect of the music, the vocal line, and plots syllable’s locations in two dimensions of music: pitch space and duration. Using these data points, one can suggest an interpretation of the poem. Through the application of this theory to Fanny Hensel and Franz Schubert’s setting of “Du bist die Ruh” by Friederich Rückert and Barbara Kolb and Darius Milhaud’s settings of “Le vitrier” by Stephane Mallarmé, we see how this theory can suggest similar and different interpretations of the same text.
Degree Name
Music
Level of Degree
Masters
Department Name
Department of Music
First Committee Member (Chair)
Richard Hermann
Second Committee Member
David Bashwiner
Third Committee Member
Karola Obermueller
Fourth Committee Member
Olga Flora
Fifth Committee Member
Kristin Ditlow
Language
English
Keywords
Music Theory, Contour Theory, Vocal Music, Song, Duration, Pitch Space
Document Type
Thesis
Recommended Citation
Weaver, Grace K.. "A THEORY OF TEXT SETTING CONTOUR: A PROPOSED THEORY THAT PLACES TEXT AT THE STRUCTURAL FOREGROUND OF THE ANALYSIS OF VOCAL MUSIC." (2022). https://digitalrepository.unm.edu/mus_etds/39
Included in
Composition Commons, Music Performance Commons, Music Theory Commons