Music ETDs
Publication Date
Spring 5-12-2022
Abstract
The El Paso Wal-Mart Mass Shooting on August 3, 2019, prompted swift response from the local community to create artistic spaces of remembrance. This study examines the musical (mariachi and corrido) and visual (altares, murals, and memorials) manifestations present at makeshift and formal memorials for the victims. I analyze how members of the El Paso-Ciudad Juárez borderland situated their artistic work in the aftermath of the shooting. I argue that these artists responded to the attack with symbolic acts of resilience rooted in cultural and collective memory, embodiment of trauma, and the lived experience of corporeal and psychological violence. Through the adoption of a specific iconographic and sonic language, the presence of artistic mediums created counternarratives in direct challenge to the anti-Latino motivations of the gunman. In these performative sounds and spaces, the El Paso community created new futurities and contested notions of belonging to a US-American identity.
Degree Name
Music
Level of Degree
Masters
Department Name
Department of Music
First Committee Member (Chair)
Ana R. Alonso-Minutti
Second Committee Member
Kristina Jacobsen
Third Committee Member
Ray Hernández-Durán
Language
English
Keywords
El Paso, mass shooting, response to tragedy, mariachi, corrido, makeshift memorial
Document Type
Thesis
Recommended Citation
Garcia, Eduardo. "'Ahora estamos más unidos': Claiming Resilience in the Musical and Visual Aftermath of the El Paso Mass Shooting." (2022). https://digitalrepository.unm.edu/mus_etds/37