Art & Art History ETDs
Publication Date
12-1-2010
Abstract
Rebecca Belmore (Ojibwa/Anishinabe, b. 1960 in Upsala, Ontario), embraces three themes in her oeuvre: conquest, consequences and restoration.Through the mediums of performance art, installation, video and photography, Belmore confronts Indigenous issues regarding land theft, identity, gender, racism, stereotypes,memory, contested histories, and the recovery and reclamation of a decolonized self. All of these themes are sub-categories that fall under the larger theme of the consequences of conquest. The most significant component of Belmores work, however, is restoration, which embraces themes of healing, self-determination and sovereignty. Traditional art-historical methodologies can and have been used to analyze Indigenous art. This thesis proposes that Indigenous art is best examined through Native performance traditions as suggested by Courtney Elkin Mohler's theatre praxis. Mohler argues that the goal of Indigenous performance art can be achieved through (1) exposing popularly accepted racial and ethnic stereotypes as identity constructions; (2) rewriting history in a manner that repositions historically marginalized and objectified cultures as active subjects; (3) utilizing residual creative energies that transcend the normative methods for 'art making,' thereby exposing an alternative indigenous worldview; and (4) destabilizing historical 'facts' that constitute an essence of 'timelessness' and edifice of authority for neocolonial and imperialist practices. These four components are an integral part of Belmore's work. Because Belmore utilizes her own body as the primary medium, she becomes at once the text, the victim, the victor, and catapults the performance into the arena of restoration.
Language
English
Document Type
Thesis
Degree Name
Art History
Level of Degree
Masters
Department Name
UNM Department of Art and Art History
First Committee Member (Chair)
Szabo, Joyce
Second Committee Member
Barnet-Sanchez, Holly
Third Committee Member
Singer, Beverly
Fourth Committee Member
Tsiongas, Mary
Keywords
Rebecca Belmore
Recommended Citation
DeBlassie, Kathleen. "Conquest, Consequences, Restoration: The Art of Rebecca Belmore." (2010). https://digitalrepository.unm.edu/arth_etds/33