"SPECULUM FEMINARUM: FEMININE REPRESENTATION AND IDENTITY IN FIFTEENTH-" by Karli R. Snyder
 

Art & Art History ETDs

Publication Date

Fall 11-9-2024

Abstract

Late medieval views of women in Western European culture, specifically in fifteenth-century France, were predicated on the ideologies of "other." According to normative sociocultural attitudes of this period, women were immoral, lascivious, and indulged in frivolity. Their culturally acceptable and, therefore, natural roles were delineated solely as that of wife and mother. Although the origin of these views is obscured by time, there are scores of textual and visual examples of this cultural labeling. This thesis focuses on how the ideologies of feminine sociocultural roles developed and matured during the late Middle Ages. By comparatively analyzing copies of the visual imagery of figural dress, gestures, and the depiction of gendered spaces contained within the miniatures in three medieval manuscripts, Giovanni Boccaccio's Des cleres et nobles femmes (1403) and Christine de Pizan's The Book of the City of Ladies (1405) and The Treasure of the City of Ladies (1405), this study examines how the visual representations of women depicted in these objects influenced the creation of subsequent feminine imagery, established and enforced sociocultural standards of behavior, and functioned as catalysts for the formulation of feminine self-identity while tangentially reinforcing patriarchal social structures.

Language

English

Document Type

Thesis

Degree Name

Art History

Level of Degree

Masters

Department Name

UNM Department of Art and Art History

First Committee Member (Chair)

Dr. Justine M. Andrews

Second Committee Member

Dr. Susanne Anderson-Riedel

Third Committee Member

Dr. Margaret A. Jackson

Keywords

medieval dress, figural gestures, gendered spaces, late medieval feminine identity, late medieval France; late medieval literature

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