American Studies Faculty and Staff Publications

Vera Norwood

Document Type

Article

Publication Date

Summer 1987

Abstract

Emily Dickinson offers a succinct vision of woman's relationship with the natural landscape as one of housewife to home--one in which the poetic and the practical coexist. Although seemingly in keeping with gentle, domestic relationships with nature, in which the environment outside the home is experienced as a safe, tamed-garden version of the interior life Victorian women supposedly led, Dickinson's poem leads us to contemplate our definitions of female roles and the natural world, and the metaphors we use to understand our relationship to the world. As with most Dickinson poems, the image contains both text and subtext. The traditional role of Victorian women as household managers is subverted when the housewife inadvertently creates "dust" in her cleaning, and the leavings of her efforts enrich the world. Just as the image liberates women, it also liberates nature by suggesting that imperfection is as beautiful as perfection.

Publisher

The University of Chicago Press

ISSN

0097-9740

Volume

12

Issue

4

First Page

740

Last Page

760

Language (ISO)

English

Sponsorship

Published and permitted by the University of Chicago Press: http://www.jstor.org/stable/3174211?&Search=yes&searchText=Norwood&searchText=Vera&list=hide&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dau%253A%2528Vera%2BNorwood%2529%26gw%3Djtx%26acc%3Don%26prq%3Dau%253A%2528Margie%2BMontanez%2529%26Search%3DSearch%26hp%3D25%26wc%3Don&prevSearch=&item=3&ttl=40&returnArticleService=showFullText

Keywords

Feminism, Women and Nature, Emily Dickinson

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