
Art & Art History ETDs
Dissertations
Chronicles of Revolution and Nation: El Taller de Gráfica Populars 'Estampas de la Revolución Mexicana' (1947), Mary Theresa Avila
Rauschenberg, ROCI, and Cuba's Young Lions, Brett Beatty
The Other's Other: Negotiating "Normativity" in Contemporary Photography from the United States, Corey Dzenko
Francis Bedford, 1816-1894: English landscape photographer of the wet-plate period, Bill Jay
The Fruits of Empire: Contextualizing Food in Post-Civil War American Art and Culture, Shana Klein
Discursive Capabilities of Contemporary Artistic Practices in Honduras, Gustavo Larach
'Bajo su sombra': The Narration and Reception of Colonial Urban Space in Early Nineteenth-Century Havana, Cuba, Paul Barrett Niell
The Once and Future King: A New Approach to Ancient Maya Mortuary Monuments from Palenque, Tikal, and Copan, Elizabeth Olton
TESTIMONIES OF VIOLENCE: IMAGES OF FRANCISCAN MARTYRS IN THE PROVINCES OF NEW SPAIN, Emmanuel Ortega
Rethinking Martín Chambi, Michele M. Penhall
American Family Memorial Imagery, the Photograph, and the Search for Immortality, Daniel Gyger Snyder
Festivals of Art, Carnivals of Representation: On Contemporary Art and Neoliberalism, Tijen Tunali
Yinka Shonibare MBE's Critiques of Empire and His Reception in Four Transnational Case Studies, Johanna Wild
Theses
The Slide: Image and Object, Cindy D. Abel Morris
A Study of Faculty In-Service Education Programs in the Public Schools of New Mexico, Helen P. Anderson
Subversion through Inversion: Kent Monkman's "The Triumph of Mischief", Monique Belitz
The Cusco School Defense of the Eucharist: A Tribute to Tink, Annick Benavides
A Study of Taos as an Art Colony and of Representative Taos Painters, Dorothy Skousen Black
Transformative Skin: The Ongoing Legacy of Inuit and Yupik Women's Tattoos, Mariah Carrillo
The Bent Brothers on the Frontier, Ina Wilson Cason
DESIGNING FOR IMMERSIVE TECHNOLOGY: INTEGRATING ART AND STEM LEARNING, Jane Crayton
Conquest, Consequences, Restoration: The Art of Rebecca Belmore, Kathleen DeBlassie
A Survey of the Visual Art Program for the Negro in the Elementary Public Schools of the South, Maria Donkle
The Interrelationship of Identities: How Artistic Practice Informs Teaching in the Visual Arts, Karen G. Adams Edwards
Diego Rivera at the San Francisco Art Institute, Hilary Ellenshaw
Inhabited Landscapes: Nudes, Spirituality, and Coevality in the Landscape Paintings of Armando Morales, Regina Emmer
A Catalogue and Analysis of the Churches of Cholula, Mexico, Margaret Henderson Floyd
The Validity of Art Aptitude Tests on the High School Level, Dorothy Blanch Gibson
An Approach to the Presentation of Art History on the Junior High School Level, Vivian N. Grelick
Progress in Preparedness, Vahe Guzelimian
A Way of Seeing: The Transformation of American Soldiers' Snapshot Photography During the Vietnam War, Sara Hagerty
A Survey of the Discarded, Native, and Inexpensive Materials Used in Elementary School Art, Donald Warren Herberholz
A Comparative Study of Georges Roualt and Chaim Soutine, Ann Hillard
Three Rivers as Transitional Zone: Considering a Collective Metanarrative in Pueblo Prehistory, Heather Kline
Defying Binaries: A Critical Examination of 'Old' Versus 'New' in the Art of Pablita Velarde and Helen Hardin, Jenna Kloeppel
Three Case Studies of National Narratives in Central American Art, Gustavo Larach
A Brief Survey of the Art and Execution of Bronze Sculpture, Paul Lawrence
A Study of Motivational Incentive for Enrollment in Beginning Drawing Classes in Public Junior Colleges of California in the 1960-1961 Academic Year, Patricia Tandrow Lewis
"The Four Horseman of the Late Capitalist Apocalypse": U.S. Comic Books, Ideology, and Trauma in Post-9/11 Society, Kathryn Manis
Touching Nether-Regionalisms: Paul Cadmus as Exemplary Foil to a Homegrown American Art, Maxine Marks
The Ideal Citoyenne: Women, Class, & The French Revolution in Philibert Louis Debucourt's Fine-Art Prints, Kelsey Martin
The Role of Art in the Complete Development of a Christian Personality, Sister Loretta Ann McCarthy
Quilting: An Examination of Harriet Powers and Elizabeth Hobbs Keckley, Jennifer Moreland
The Utility of Murder: Fred Gildersleeve and the Lynching of Jesse Washington, Stephanie Morimoto
The Delaware Indians and the Development of Prairie-Style Beadwork, Denise Neil-Binion
A Comparative Study of Two Methods of Teaching Art at the Fourth Grade Level, Mary Carroll Nelson
Refocusing the Frontier: Recalling the Photography of Robert Adams and Mark Klett, Christian W. Olsson
The Reception of Autos-de-Fe in 18th Century New Spain: Image, Text and Practice, Emmanuel Ortega
The Open Veins of Guayasamín's Paintings, Maria Otero
Neal Ambrose-Smith: The Artistic Modernity of Indianness, Erik Parker
Indigenous Remapping in the Southern Californian Landscape, Elysia Poon
IMAGINING THE NOBLE AND LOYAL CITY: AN INTRODUCTION TO THE BIOMBO FRANZ MAYER, Madalena Consuelo Salazar
Iconographic Complexes of American Art in Relation to Current Art Education, Arthur J. Schneider
Performing Graffiti: The Use of Electronically and Digitally Modified Graffiti in Activist Art Practices, Megan Schultz
A Graphic Interpretation of Four Pueblo Indian Corn Dances, Robert L. Smith
FRAMES BEHIND THE THRONE: CONTEXTUALIZING THE CALOTYPE ALBUMS OF PRINCE ALBERT 1850-1859, Sherri Sorensen-Clem
The Kilburn Brothers Stereoscopic View Company, Thomas W. Southall
Posh and Tawdry: Rethinking E.J. Bellocqs' Storyville Portraits, Christian Waguespack
Folk, the Naïve and Indigeneity: Defining Strategies in Violeta Parra's Visual Art, Serda Yalkin