Abstract
Articles:
4 Hail and Farewell, by Pat Gilmour
6 The British Museum's Contribution to Print Scholarship, by Charles Newton
14 The Monotype in Britain, by Frances Carey
21 British Color Linocuts: The Critical Response Between the Wars, by Stephen Coppel
31 The Color Prints of Stanley William Hayter, by P.M.S. Hacker
43 Hayter' s Legacy in England, by Duncan Scott
57 The Print Publications of the Artists' International Association: Attitudes to Lithography in Britain, 1938-1951, by Antony Griffiths
70 Warrington Colescott: The London Years, 1956-1966, by Richard Cox
75 Tonal Washes, Transfer Papers, and 'Power-wash' for Rollers, by Lynne Allen
78 Printers' Chops: 1985-1991, compiled by Rebecca Schnelker
Books and catalogues in review:
79 Michael Twyman, Early Lithographed Books: A Study of the Design and Production of Improper Books in the Age of the Hand Press. Review by Pat Gilmore
79 Carol Wax, The Mezzotint: History and Technique. Review by Pat Gilmore
81 Silvie Turner, Which Paper? A Review of Fine Papers for Artists, Craftspeople and Designers. Review by Pat Gilmour
81 Nancy E. Green, Arthur Wesley Dow and His Influence, review by Diana Gaston
83 Ruth Weisberg: Prints, Mid-Life Catalogue Raisonne, 1961-1990, review by Judith Hoffberg and June Wayne
85 Joseph S. Czestochowski, James Swann: In Quest of a Printmaker, review by Clinton Adams
86 Contributors
2 Photo Credits
87 Directory of Suppliers
Recommended Citation
Tamarind Institute. "Volume 14 (1991)." The Tamarind Papers: Technical, Critical and Historical Studies on the Art of the Lithograph 14, 1 (1991). https://digitalrepository.unm.edu/tamarind_papers/vol14/iss1/1
