Abstract
Articles:
4 The Indian and the Sensitive Man: Literary and Graphic Collaborations and the Philosophy of Gauguin's Noa Noa, by Pat Gilmour
20 Ambiguous space: Tradition and Non-Tradition, by Steve Yeats
28 John Gadsby Chapman and Son: American Etchers in Italy, 1850-1884, by Ben Bassham
38 Cecil Buller: A Canadian Printmaker in the Unuted States, by Patricia Ainslie
46 Constance Forsyth: Printmaker, by David Farmer
55 The World of Expanding Interpretation: The Larger Implications of Some Recent Publications about Prints, by Gabriel P. Weisberg
62 The Ideal and the Practical: Some Thoughts on Recent Catalogues Raisonnés, by Joann Moser
81 Silication of Aluminum Plates for Use with Diazo Coatings, by Jeffrey Ryan
86 American Print Workshops: A Survey, compiled by Rebecca Schnelker
Books and Catalogues in Review:
69v Pat Gilmour, editor, Lasting Impressions: Lithography as Art, review by O.J. Rothrock
71 N. Krishna Reddy, Intaglio Simultaneous Color Printmaking: Significance of Material and Processes, review by Lee Chesney
73 Kent Kirby, Studio Collotype, review by James Hajicek
74 James O'Gorman, editor, Aspects of American Printmaking, 1800-1950, review by Nancy R Davison
76 Raymond L. Wilson, Index of American Print Editions, 1882-1940, review by Clinton Adams
76 June Wayne: The Djuna Set, review by Ruth Weisberg
78 Garo Z. Antreasian: A Retrospective, review by Clinton Adams
78 Warrington Colescott, Forty Years of Printmaking: A Retrospective, 1948-1988, review by Garo Z. Antreasian
79 Briefly Noted
68 Photo Credits
85 Back Issues
94 Contributors
95 Directory of Suppliers
Recommended Citation
Tamarind Institute. "Volume 12 (1989)." The Tamarind Papers: Technical, Critical and Historical Studies on the Art of the Lithograph 12, 1 (1989). https://digitalrepository.unm.edu/tamarind_papers/vol12/iss1/1
