Music ETDs
Publication Date
8-25-2016
Abstract
Music scholars have devoted significant attention to the vast repertoire of chant, the cults from which it is said to have sprung, semiology, or its place in Western Christian worship, but a limited number of studies address the chanter and how chant renders affective and cognitive processes. The monks of Christ in the Desert Monastery are engaged four hours a day, every day, in the antiphonal rhythm of psalmody, constructing its expressivity and sculpting, from forty members, one voice. Here, the Divine Office, as prescribed by St. Benedict, is strictly followed. The monks repetitive and synchronized practice, suffused with chanting, cultivates deeper levels of personal awareness and authenticity. I explore introspective and inspirational aspects of the desert soundscape and its ability to cultivate acute awareness and sharpened attention. Drawing upon ethnographic research with the community, I argue that the brothers' singing is a transformative pathway that leads to strong group cohesiveness and well-being.
Degree Name
Music
Level of Degree
Masters
Department Name
Department of Music
First Committee Member (Chair)
Jacobsen, Kristina M. Dr.
Second Committee Member
Bashwiner, David M. Dr.
Language
English
Keywords
Gregorian chant, psalmody, cohesiveness, ethnography, well-being, soundscape, desert attentiveness, Divine Office, transformation
Document Type
Thesis
Recommended Citation
Gillespie, Amy Suzanne. "Chant and Transformation: The Benedictine Monks of Christ in the Desert Monastery." (2016). https://digitalrepository.unm.edu/mus_etds/12