Music ETDs

Publication Date

Spring 4-10-2025

Abstract

Mariachi is an internationally renowned artform and tradition whose history spans over decades and several continents. However, there are many aspects still embedded in mariachi culture that remain problematic; machismo (toxic masculinity), alcoholism, and homophobia to name a few. While there has been an increase of mariachi scholars who have critically examined these issues, mariachi culture itself has yet to address the challenges brought forth by its history of gender discrimination and homophobia and embrace practical changes that would enable the creation of a more equitable environment and further develop this living tradition. This thesis analyzes the trajectory of queering set forth by women in mariachi—both in Mexico but especially in the United States—and the works of queer artists that lay the foundation upon which many mariachis and queer musicians cite as major influences in their lives and careers. Using the framework by queer theorist José Esteban Muñoz, I argue that, while there have been attempts to queer mariachi since its inception, the recent disidentificatory work by Mariachi Arcoíris illustrates the critical intersection of queerness and Mexicanness. Their trajectory advances the innovation of the mariachi tradition, enabling it to thrive in a world where that intersection is not merely a desire but a reality.

Degree Name

Music

Level of Degree

Masters

Department Name

Department of Music

First Committee Member (Chair)

Ana R. Alonso-Minutti, Ph.D

Second Committee Member

José-Luis Hurtado Ruelas, Ph.D

Third Committee Member

Adolfo Estrada, Ph.D

Fourth Committee Member

Robert L. Lucero, J.D.

Language

English

Keywords

mariachi, queer, queering, disidentification, LGBTQ, utopia

Document Type

Thesis

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