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97. Virtue, 1969. Humberto Espíndola from the interior city of Cuiabá is best known for his bovinocultura (cattle culture) paintings of the late Sixties. A reference to the economic basis of Central Brazil, these paintings contain an element of social satire and criticism. Espíndola and his wife, art critic Aline Figueiredo, were active in promoting the work of younger artists and contributing to the cultural life of Matto Grosso in the Seventies. These art centers exhibited contemporary works by regional artists in which content emerged from their experiences living and working in these locales.


Latin American and Iberian Institute / University of New Mexico


Brazil Slide Series Collection: This article is copyrighted by the Latin American & Iberian Institute (LAII) of the University of New Mexico. Rights permission is for standard academic, non-commercial, use of these materials. Proper citation of this material should include title, author, publisher, date, and URL. Copyright Latin American and Iberian Institute University of New Mexico 1997


Brazil: Modern Brazilian Painting