16. Sertanejas (Wilderness), 1896. Antonio Parreiras had studied landscape painting with Grimm. The luxuriance, scale, and variety of Brazil's tropical vegetation had been a favorite subject of the earlier foreign traveler artists who marveled at the vitality of the New World and brought back these images to European audiences. Parreiras painted memorable tropical landscapes for a Brazilian audience more accepting, fifty years after Rugendas, of this romantic approach to the wildemess.
Latin American and Iberian Institute / University of New Mexico
Brazil Slide Series Collection: This article is copyrighted by the Latin American & Iberian Institute (LAII) of the University of New Mexico. Rights permission is for standard academic, non-commercial, use of these materials. Proper citation of this material should include title, author, publisher, date, and URL. Copyright Latin American and Iberian Institute University of New Mexico 1997
Brazil: Modern Brazilian Painting