3. Danse des sauvages (Dance ofthe Savages), c. 1834. This print was included in volume one of Debret's account of Brazil. The Indian subjects were the most popular in Europe. It was later shown that Debret, like many other traveler artists of the period, borrowed heavily from the works of others. This drawing is based on one of California coast natives, with a few modifications and the vegetation "tropicalized" to the Brazilian context.
Latin American and Iberian Institute / University of New Mexico
Brazil Slide Series Collection: This article is copyrighted by the Latin American & Iberian Institute (LAII) of the University of New Mexico. Rights permission is for standard academic, non-commercial, use of these materials. Proper citation of this material should include title, author, publisher, date, and URL. Copyright Latin American and Iberian Institute University of New Mexico 1997
Brazil: Modern Brazilian Painting